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diff --git a/audio/japa/japa.1 b/audio/japa/japa.1 index 0a907f43113df..a2610d1ab2df4 100644 --- a/audio/japa/japa.1 +++ b/audio/japa/japa.1 @@ -1,80 +1,129 @@ -.TH JAPA 1 "January 14, 2014" +.\" Man page generated from reStructuredText. +. +. +.nr rst2man-indent-level 0 +. +.de1 rstReportMargin +\\$1 \\n[an-margin] +level \\n[rst2man-indent-level] +level margin: \\n[rst2man-indent\\n[rst2man-indent-level]] +- +\\n[rst2man-indent0] +\\n[rst2man-indent1] +\\n[rst2man-indent2] +.. +.de1 INDENT +.\" .rstReportMargin pre: +. RS \\$1 +. nr rst2man-indent\\n[rst2man-indent-level] \\n[an-margin] +. nr rst2man-indent-level +1 +.\" .rstReportMargin post: +.. +.de UNINDENT +. RE +.\" indent \\n[an-margin] +.\" old: \\n[rst2man-indent\\n[rst2man-indent-level]] +.nr rst2man-indent-level -1 +.\" new: \\n[rst2man-indent\\n[rst2man-indent-level]] +.in \\n[rst2man-indent\\n[rst2man-indent-level]]u +.. +.TH "JAPA" 1 "2021-11-29" "0.9.2" "SlackBuilds.org" .SH NAME -japa \- JACK or ALSA perceptual analyser +japa \- JACK and ALSA Audio Analyser +.\" RST source for japa(1) man page. Convert with: +. +.\" rst2man.py japa.rst > japa.1 +. +.\" rst2man.py comes from the SBo development/docutils package. +. .SH SYNOPSIS -.B japa -.RI { -h | -A | -J } -.RI [ options ] -.br +.sp +japa \fB\-J\fP [\fB\-name\fP \fIname\fP ] [\fB\-s\fP \fIserver\fP] +.sp +japa \fB\-A\fP [\fB\-name\fP \fIname\fP ] [\fB\-d\fP \fIdevice\fP] [\fB\-C\fP \fIdevice\fP ] [\fB\-P\fP \fIdevice\fP ] [\fB\-r\fP \fIrate\fP] [\fB\-p\fP \fIperiod\fP] [\fB\-n\fP \fInfrags\fP] .SH DESCRIPTION -.B Japa -(JACK and ALSA Perceptual Analyser), is a 'perceptual' or 'psychoacoustic' -audio spectrum analyser. Possible uses include spectrum monitoring while mixing -or mastering, evaluation of ambient noise, and (using pink noise), equalisation -of PA systems. For more information see /usr/doc/japa-@VERSION@/README. +.sp +japa (JACK and ALSA Perceptual Analyser), is a \(aqperceptual\(aq +or \(aqpsychoacoustic\(aq audio spectrum analyser. In contrast to +JAAA, this is more an acoustical or musical tool than a purely +technical one. Possible uses include spectrum monitoring while +mixing or mastering, evaluation of ambient noise, and (using +pink noise), equalisation of PA systems. For more information see +/usr/doc/japa\-0.9.2/README. +.sp +In JACK mode (\fB\-J\fP), japa creates 4 input ports (for spectrum +analysis), named \fIjapa:in_<N>\fP (where \fI<N>\fP ranges 1 to 4) and +2 output ports (for noise generation), named \fIjapa:pink\fP and +\fIjapa:white\fP\&. By default, these aren\(aqt connected to anything; use +e.g. \fBqjackctl\fP(1) or \fBjack_connect\fP(1) to connect to other JACK +clients. +.sp +In ALSA mode, the inputs and outputs are connected directly to the +ALSA device, meaning e.g. there will be 2 inputs and 2 outputs for +a typical stereo audio card. Yes, this means the pink and white +noise generators will be heard immediately on starting up japa; +if you don\(aqt need them you can silence them with e.g. \fB\-C hw:0 \-P +null\fP\&. If you get "Can\(aqt connect to ALSA", try a different device +(use \fBalsamixer\fP(1) or \fBaplay\fP(1) to get a list of them). .SH OPTIONS -One out of -.B \-A -and -.B \-J -must be given. +.sp +Either \fB\-J\fP or \fB\-A\fP is required. +.INDENT 0.0 .TP -.B \-h -Show summary of options. +.B \fB\-h\fP +Show built\-in help message. .TP -.B \-J -Use JACK. +.B \fB\-name\fP \fIname\fP +Set X11 client name (and JACK client name, with \fB\-J\fP). .TP -.B \-s <server> -Select JACK server. Default is 'default' or $JACK_DEFAULT_SERVER environment variable. -Only valid with -.B \-J -option. +.B \fB\-J\fP +Use JACK for audio. This option is available in JACK mode: +.INDENT 7.0 .TP -.B \-A -Use ALSA. Options -.B \-d -, -.B \-C -, -.B \-P -, -.B \-r -, -.B \-p -, and -.B \-n -are only valid with this option. +.B \fB\-s\fP \fIserver\fP +Connect to a specific JACK server. Default is \(aqdefault\(aq or +\fB$JACK_DEFAULT_SERVER\fP environment variable. +.UNINDENT .TP -.B \-d <device> -Specify ALSA device. Defaults to hw:0.0. This option sets the -playback and capture devices to the same device. For separate capture and playback, -use -.B \-C -and -.B \-P -instead. +.B \fB\-A\fP +Use ALSA for audio. These options are available in ALSA mode: +.INDENT 7.0 .TP -.B \-C <device> -Specify alsa capture device. +.B \fB\-d\fP \fIdevice\fP +ALSA device for capture and playback. This option sets the +playback and capture devices to the same device. For separate +capture and playback, use the \fB\-C\fP and \fB\-P\fP options. +Default: \fBhw:0\fP unless \fB\-C\fP or \fB\-P\fP is used. .TP -.B \-P <device> -Specify alsa playback device. +.B \fB\-C\fP \fIdevice\fP +ALSA device for capture. Default: not used. .TP -.B \-r <rate> -Specify sample frequency. Defaults to 48000. +.B \fB\-P\fP \fIdevice\fP +ALSA device for playback. Default: not used. .TP -.B \-p <period> -Specify period size. Defaults to 1024. +.B \fB\-r\fP \fIrate\fP +Sample frequency. Default: 48000. .TP -.B \-n <nfrags> -Specify number of fragments. Defaults to 2. +.B \fB\-p\fP \fIperiod\fP +Period size. Default: 1024. +.TP +.B \fB\-n\fP \fInfrags\fP +Number of fragments. Default: 2. +.UNINDENT +.UNINDENT +.SH COPYRIGHT +.sp +See the file /usr/doc/japa\-0.9.2/COPYING for license information. +.SH AUTHORS +.sp +japa was written by Fons Adriaensen <\fI\%fons@kokkinizita.net\fP>. +.sp +This man page written for the SlackBuilds.org project +by B. Watson, and is licensed under the WTFPL. .SH SEE ALSO -.BR jackd (1). -.SH AUTHOR -japa was written by Fons Adriaensen <fons@kokkinizita.net>. -.PP -This manual page was written by Helmut Grohne <helmut@subdivi.de>, -for the Debian project (but may be used by others). It was modified -by B. Watson <yalhcry@gmail.com) for the SlackBuilds.org project, -and may still be used by others. +.sp +\fBjackd\fP(1), \fBjaaa\fP(1) +.sp +\fI\%https://kokkinizita.linuxaudio.org/linuxaudio/\fP +.\" Generated by docutils manpage writer. +. |